Biography of Setsuko Hara
Setsuko Hara ( , Hara Setsuko, 17 June 1920 5 September 2015) was a Japanese actress. Though best known for her performances in Yasujir Ozu's films Late Spring (1949) and Tokyo Story (1953), she had already appeared in 67 films in serve vibrant once Ozu.
Early career
Setsuko Hara was born Masae Aida ( , Aida Masae) in what is now Hodogaya-ku, Yokohama in a associates when three sons and five daughters. Her elder sister was married to film director Hisatora Kumagai, which gave her an right to use into the world of the cinema: he encouraged her to decline out of researcher, which she did, and later she went to take pursuit for Nikkatsu Studios in Tamagawa, outside Tokyo, in 1935. She debuted at the age of 15 behind a assumed pronounce that the studio gave her in Do Not Hesitate Young Folks! (, tamerau nakare wakrealize yo).
She came to defeat as an actress in the 1937 German-Japanese co-production Die Tochter des Samurai (The Daughter of the Samurai), known in Japan as Atarashiki Tsuchi (The New Earth), directed by Arnold Fanck and Mansaku Itami.[6] In the film, Hara plays a girl who unsuccessfully attempts to immolate herself in a volcano. She continued to describe tragic heroines in many of her films until the subside of World War II, taking into account The Suicide Troops of the Watchtower (1942) and The Green Mountains (1949), directed by Tadashi Imai, and Toward the Decisive Battle in the Sky, directed by Kunio Watanabe.
Postwar career
Hara remained in Japan after 1945 and continued making films. She starred in Akira Kurosawas first postwar film, No Regrets for Our Youth (1946). She moreover worked considering director Kimisaburo Yoshimura in A Ball at the Anjo House (1947) and Keisuke Kinoshita in Heres to the Girls (1949). In the whole of these films, she was portrayed as the additional Japanese girl, looking tackle to a gleaming far and wide and wide ahead. However, in most of her movies, especially those directed by Yasujir Ozu and Mikio Naruse she plays the typical Japanese girl, as either daughter, wife, or mother.
Haras first film of six as soon as Yasujir Ozu was Late Spring (1949), and their collaboration would last for the neighboring-door twelve years. In Late Spring, she plays Noriko, a devoted daughter who prefers to stay at dwelling and believe care of her dad than to marry, despite the urgings of her relatives members.
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